"An artist in crime 'killer calls himself in Agatha Christie's crime novel" And Then There Were None' in 1939. "It was my ambition to design a murder mystery that no one could solve," he writes in the epilogue of the book. "But no artist, I realize now, lives with art alone. There is a natural desire for recognition that is impossible to resist. "It's a quote that not only gives a glimpse into the mind of someone who commits the perfect crime, but it also goes to the heart of Christies writing. The Queen of Crime specialized in puzzle detectives who had put every reader astray. Many of her books were made into movies, some even frequent. "And Then There Were None" for the first time on the silver screen shows in 1945. Twenty years later director George Pollock found it necessary to make another version, this time under the title '10 Little Indians', after the dismal nursery rhyme that The film is told.
Are the ten victims in the story still stuck on a desert island, in '10 Little Indians' location is a luxury villa on a high mountain in the Austrian Alps, only accessible with a chairlift. A place where you as one, two, three can not come so. Ten people who do not know each other, have all received a personal invitation from the mysterious Mr. UN Owen. None of them has ever seen him. Waiting for their host in the lobby, suddenly heard the voice of this Mr. Owen - played by a tape recorder (the voice of actor Christopher Lee). He knows each of the ten guests that they something terrible to answer for, and makes known to the others. Initially, everyone denies his crimes, but once the guests to the others admit they have something terrible in their conscience, they find a death mysteriously. And since no one after an accident with the chair lift to the villa or can, the perpetrator must be one of the remaining guests ...
Director George Pollock worked with magical material of Agatha Christie in his early sixties four 'Miss Marple' stories filmed. He was by producer Harry Alan Towers (which later produced two versions of '10 Little Indians', in 1974 and 1989) were asked to participate in the project. Both are in love with the story and rely entirely on the narrative power of Christie. They are of course right that the story itself is a very strong factor, but it also had some more attention should be paid to directing and production. Certainly compared to the 1945 version of René Clair looks '10 Little Indians' what sober and easy going, and it must especially the script. The only thing that really stands out is the whodunit-break, at the end of the film. In the style of William Castle - director and producer of second-rate horror films who was known for his gimmicks - the viewer gets a 'break' from two minutes to determine who the culprit. In a nutshell pass all assassinations and other important moments again reviewed. It is a welcome break and funny in this film, which itself now and then take itself too seriously.you can download free movies online
And then there's the casting. It is a mixed group of people from all walks of life, just as the script dictates. The actors were in the sixties undoubtedly very famous, but not their names tell us a lot more. That of course does not matter as long as the acting is good. And that is not at all the case. The older generation fulfills properly. Wilfrid Hyde-White, Stanley Holloway (which a year earlier shone together in 'My Fair Lady') and Dennis Price (Kind Hearts and Coronets) convincing in their roles. The young generation, however, is regularly embarrass tars. Fabian, a teen idol from the fifties and sixties, is so excruciatingly bad that you're almost glad he's the first death. Daliah Lavi put her role very thick and Shirley Eaton (the golden lady in 'Goldfinger') may be clean image, she acts very stiff. Precisely she and Hugh O'Brien (mainly known for westerns) gain - primarily because of their burgeoning love - by far the most screen time. An unfortunate choice when you consider that there are much better actors were available.
Nevertheless '10 Little Indians' worthwhile. Not as a first introduction to the well-known story. Before that can better be retrieved from the version 1945 of René Clair. But as simple entertainment meets the film just fine. And that is mainly thanks to Agatha Christie. For what it's still nice to know what to expect and then be surprised anyway.
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